“the whole thing revolved around Catherine Backhouse’s spirited Concepcion. Darting about the stage, eyes flashing, she shaped Ravel’s artfully artless lines with an easy grace and her voice – silvery and translucent at the top – had a core of satisfyingly sultry darkness.”
Upcoming performances
- 04/04/20 Bach St Matthew Passion in Ipswich at St Mary-le-Tower
- 26/04/20 ‘Emotionally Volatile’ A recital of songs composed by women. in London at St. Paul’s Church, Herne Hill
Recent Posts
- Rupert Christiansen, The Telegraph December 30, 2019
- Rowena Smith, The Guardian December 30, 2019
- Richard Bratby, The Arts Desk December 30, 2019
- Alexandra Coghlan, The Arts Desk December 30, 2019
- Anna Picard, The Times December 30, 2019