Backhouse in particular has a vivid stage presence and a rich mezzo timbre. Richard Morrison, The Times

I registered with pleasure. . .Catherine Backhouse’s vivid stage personality. Rupert Christiansen, The Daily Telegraph

The beautifully focused mezzo of Catherine Backhouse. . .is a delight. Hilary Finch, The Times

Listen

Faites-lui mes aveux

 

Faites-lui mes aveux from Faust by Gonoud

But who may abide

 

But who may abide from Messiah by Handel

Schmerzen

 

Schmerzen from Wesendonk Lieder by Wagner performed live in Milton Court with Natalie Burch

Biography

Mezzo-soprano Catherine Backhouse grew up in Edinburgh and began singing as a chorister in St Mary’s Episcopal Cathedral. She graduated with an honours degree in music from The University of Durham and has completed the prestigious Opera Studies and Artist Diploma programmes at the Guildhall School of Music & Drama with distinction. In 2015 her debuts included Dryad in Ariadne auf Naxos with Opera Project at West Green House, Solo Fairy in Mendelssohn A Midsummer Night’s Dream with Garsington Opera and covering Louhi in Swanhunter for Opera North.

Catherine was a 2014 Britten-Pears Young Artist and played the role of Kate Julian in a new production of Britten’s Owen Wingrave at the Aldeburgh and Edinburgh International Festivals to critical acclaim. Other operatic highlights include Prince Orlofsky in Die Fledermaus at Clonter Opera, the title role in Ravel’s L’Enfant et les Sortilèges in the Barbican, Flora in La Traviata with Opera South, and Monteverdi’s Coronation of Poppea at the Ryedale Festival. While at Guildhall she played Cherubino in Le Nozze di Figaro, Jean in Le Portait de Manon by Massenet, Eva in Comedy on the Bridge by Martinu, Hippolyta in A Midsummer Night’s Dream, Soeur Anne in Dialogues des Carmélites and Mabel/Nurse Wallace in Unknown Doors with Iain Burnside. Previous roles performed are Mezzo Actor in Judith Weir’s A Night at the Chinese Opera with British Youth Opera,  Rossweisse in Die Walküre at the St Endellion Festival, Ino in Handel’s Semele and Sesto in Mozart’s La Clemenza di Tito for Hampstead Garden Opera.

An enthusiast of new music, Catherine has performed Kurtág Messages of the Late R.V.Troussova, Mariko in Tokaido Road by Nicola LeFanu, Ronald Reagan in The Catfish Conundrum by Edward Lambert, Flat Pack: An Opera in IKEA by Tom AZ Lane and Let Evening Come by Bolcom.

On the concert platform she has appeared as a soloist with the Scottish Chamber Orchestra in the St Magnus Festival on Orkney, sung Bach’s Christmas Oratorio with Ludus Baroque, Handel’s Messiah with Dunedin Consort, Mendelssohn’s Elijah in Dartington, Bach St John Passion with the UK Japan Music Society and Rossini’s Petite Messe Solennelle with the South London Singers. Her recital work has featured Elgar Sea Pictures, Schumann Frauenliebe und Leben, Wagner Wesendonk Lieder, Mahler Lieder Eines Fahrenden Gesellen and Britten Cabaret Songs.

Before focusing on solo singing and opera she spent three years touring the world as a member of professional a cappella group Voces8 and also worked with the BBC Singers, Polyphony, Philharmonia Voices and London Voices. Her Artist Diploma at Guildhall was supported by Sophie’s Silver Lining Trust, The Oldhurst Trust, The Worshipful Company of Plaisterer’s and The Kathleen Trust. Catherine is grateful for the tutelage and guidance of John Evans, Eugene Asti, Peter Robinson, Audrey Hyland, Dominic Wheeler, Clive Timms, Lada Valesova and Liz Rowe.


Catherine Backhouse Mezzo Soprano Biography